Religious Practitioners: The shaman and the wise man, who know myths and therapeutic songs, are primarily responsible for religious practices.
Ceremonies: The Aroyeo engage in pinčiakwá , a ritual practice to propitiate rain, and perform paragapidí , a rite to keep killers from falling prey to the harmful influence of the victim's soul and blood. Apart from these two practices, the sole ceremony held by the Ayoreo is the festival of Asohsná, which is essentially a ceremony related to the annual cycle.
Arts: The only artifacts that are always decorated are twine bags and plaited objects. The designs are inspired by clan insignia and executed in the appropriate combinations of naturally colored red and blue string. The remainder of Ayoreo output is poor in decorative motifs, which are only occasionally applied to wooden artifacts or utensils of calabash or ceramic.
Medicine: Therapeutic procedures are carried out by the ordinary individual and by the daihsnái. In the first instance, curing is essentially done through the use of chants provided by the various nanibaháde, that is, the already mentioned countermeasure songs that cure illnesses specific to a particular nanibahái that caused them. For example, possession, which stems from taboo infringments relating to the consumption of certain parts of the peccary, can be cured with songs that this animal's nanibahái left behind. Individuals who cure by therapeutic chanting do not go through a process of initiation, nor do they wear special garments. The only precondition is knowing many chants, a prerogative generally attached to the so-called wise men. Since the power of a particular curing chant comes directly from the nanibahái who composed it, the singer functions simply as its intermediary vehicle.
Read more: http://www.everyculture.com/South-America/Ayoreo-Religion-and-Expressive-Culture.html#ixzz1VhDqfi7y
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